“I like landscapes that suggest prehistory,” said Smithson. One example is Untitled (1966), a modular, composite volume that incorporates opaque and reflective surfaces. Discover (and save!) For over fifty years, Robert Smithson's work and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. The countless fragments of shattered glass that form Map of Broken Glass (Atlantis) (1969) are layered both literally and figuratively. “It is a shimmering collapse of decreated sharpness . Aug 27, 2012 - This Pin was discovered by William Melody. Sometimes the results were fleeting documentations, other times permanent, large-scale sculptural interventions—as in the case of Spiral Jetty (1970), the iconic earthwork maintained by Dia on the northeastern shore of Great Salt Lake, Utah. Created during a brief period from the mid-1960s to the early 1970s, Smithson’s provocative works spanned a variety of sites beyond the museum and gallery, from magazine pages to abandoned industrial and natural wastelands. Beloved by hobbyists and DIYers, these assemblages, typically created by arranging pieces of glass or stone, are often categorized merely as craft, reducing their appeal to artists who would prefer to avoid those associations. [Skip to main navigation] Symmetrically duplicated by the mirrors, the fissures of cracked glass together with the dust from the gravel mar the pristine reflective surfaces, further complicating the multifaceted interplay of materiality and illusion, presence and absence. Enantiomorphic Chambers(1965) combines the artist's interest in crystallography and perception. Born in New Jersey in 1938, Smithson' early interests in cartography, geology, prehistory, philosophy, science-fiction, and language spiral through his work. Through his studies and training, Smithson became fascinated with the Abstract Expressionists, i… Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. With the launch of this website, the MCA has created a platform for archiving and publishing images and stories from our 50-year history. Robert Smithson, American, 1938–1973 Map of Broken Clear Glass (Atlantis), 1969 Collage, Photostat, map, and graphite on paper 42.5 x 35.6 cm. Exhibition History 1980 Robert Smithson: Sculpture, Herbert F. Johnson Museum of Art, Cornell University, Ithaca; Walker Art Center, Minneapolis; Museum of Contemporary Art, Chicago; La Jolla Museum of Contemporary Art; Laguna Gloria Museum, Austin; Whitney Museum of American Art, New York; American Pavilion, 40th Biennale, Venice; ARC, Musée d'art moderne de la ville de Paris; Sara … Dia Art Foundation; Partial gift, Lannan Foundation, 2013. The reflections create the illusion that the work exists in and encompasses an expansive space. Directions. In late 1969, Robert Smithson travelled to Vancouver, British Columbia, to make his project titled Island of Broken Glass. Robert Smithson was born in Passaic, New Jersey, in 1938. The map is a series of "upheavals" and "collapses"--a strata of unstable fragments is arrested by the friction of stability. The resulting gaps are passageways akin to Alice’s Looking Glass or the Bellman’s blank map, in that they are thresholds to an elsewhere.” Robert Smithson died in a plane crash on July 20, 1973, while surveying sites for his work Amarillo Ramp in the vicinity of … He produced drawings and collage works that incorporated images from natural history, science fiction films, classical art, religious iconography, and pornography including "homoerotic clippings from beefcake magazines". As the title implies, the sculpture is to be seen not simply as a pile of sharp, transparent fragments but also as a map of a legendary lost continent. Robert Smithson ’s Glass Island started out with such promise. Robert Smithson «Map of Broken Clear Glass (Atlantis)» In the context of his Land Art works this drawing of a map is related to other works such as the photography «Hypothetical Continent - Map of Broken Glass: Atlantis July 11-31, 1969» or the «Imaginary Maps.» arrested by the friction of stability.” Similar to other fictive territories, Map of Broken Glass foreshadows Smithson’s most ambitious realization: a spiral-shaped artificial peninsula made out of mud, salt crystals, and basalt rocks named Spiral Jetty, which he built in the Great Salt Lake, Utah, in 1970. In 1964-1965 Smithson created his first large scale sculptures. Robert Smithson focused his short but influential career on a reconsideration of the nature of sculpture—or, rather, of sculpture in relation to nature. Click “Image Descriptions” to hide descriptions at any time. FREE for members of the military and police and fire departments, veterans, and anyone 18 and under, FREE for visitors with disabilities and their caregivers, Admission is free for Illinois residents on Tuesdays, year-round. AGO’s collection of close to 95,000 works ranges from cutting-edge contemporary art to European masterpieces; from the vast collection by the Group of Seven to works by established and emerging Indigenous Canadian artists. Not needed for screen-reader users. The piece incorporates six pairs of mirrors that occupy the junction of floor and wall, with piles of gravel dropped on them with the intention of cracking the glass. [Skip to quick links] Robert Smithson was interested in the natural environment as an alternative site to the interior, decontextualized space of commercial galleries and museums. Marisol will be closed until further notice. Photo: Florian Holzherr. From the floors of ancient Pompeii to the walls of the New York subway, mosaics have been a feature of urban life for thousands of years. In addition, Dwan donated two outright gifts of sculpture—Robert Smithson’s Glass Stratum (1967), and Non-Site #1 (Pine Barrens, New Jersey) (1968), as announced by the National Gallery of Art in July 2013. The sheets of glass leaning against each other allow the sunny flickers to slide down into hidden fractures of hidden shadow. Robert Smithson's failure in B.C. Receive Dia News and be the first to hear about events and exhibitions happening at our locations and sites. Robert Smithson; Study for the Sculpture Glass Strata with Mulch and Soil, 1969 Robert Smithson; Discontinuous Aggregates, 1966 Robert Smithson; Trailer Partially Covered with Asphalt, 1970 Robert Smithson; Detail, Surd Deposit, 1970 Robert Smithson; Torn photograph from the second stop (rubble). in 1970 inspires Camille Norment and the Experimental Music Unit to create Songs of Glass Island Paintings from 1959 to 1962 explored "mythical religious archetypes" and were also based on Dante's Divine Comedysuch as the paint… Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist who used photography in relation to sculpture and land art. He primarily identified as a painter during this time, and his early exhibited artworks had a wide range of influences, including science fiction, Catholic art and Pop art. Robert Smithson’s materials set him apart from the other artists at Dia. Recent solo exhibitions of his work were held at the Dallas Museum of Art (2013–14) and the Montclair Art Museum, New Jersey (2014). Enable visual layer of image descriptions. Robert Smithson’s Mirage No. He was just 35 years old. He died in Amarillo, Texas, in 1973. (16 3/4 x 14 in.) Click to reveal image descriptions. Deeply informed by science in its popularized forms (such as science fiction literature and cinema, encyclopedic collections, even natural history museums), his art focuses on processes of accumulation, displacement, and entropy in order to reveal the contradictions in our visible world. The underlying inspiration here is a 1969 piece by Robert Smithson entitled "A Map of Broken Glass (Atlantis)," an 18-by-15 foot pile of broken window panes that suggests the debris of lost civilizations, but which nonetheless catches the light in unexpected ways and glistens with a mystery of its own.

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